
The exhibition design for Icons of Power and Beauty stems from a close dialogue with the great gallery that hosts it: a monumental, frescoed, elongated space, marked by the temporary absence of the Idolino, the room’s original focal point. This void created the opportunity to rethink the exhibition sequence, introducing a threshold that guides visitors into a more intimate, almost ritual dimension, without interrupting the relationship with the museum’s permanent architecture.
The project takes shape as an ephemeral micro-architecture: a lightweight volume, calibrated to the gallery’s rhythm and defined by a semi-transparent membrane of draped mesh fabric. Its controlled transparency creates an enveloping interior while allowing the historic decorations to remain visible, generating a dual perception between temporary installation and permanent space.
Purple, an emblematic color of Roman power, becomes the conceptual backdrop of the exhibition, transforming the volume into a contemporary “sacellum.” Inside, five glass display cases organize the artifacts with a measured rhythm and a two-tier system that distinguishes key works from complementary objects, guiding the gaze and supporting a slow, attentive reading.
Sede:
Museo Archeologico Nazionale di Firenze
in collaborazione con:
Fondazione Brescia Musei
e con
Opificio delle Pietre Dure
Direttore:
Daniele Federico Marras
Curated by:
Daniele Federico Maras
Barbara Arbeid
Exhibition Design Project:
DEFERRARI+MODESTI
Javier Deferrari | Lavinia Modesti
Progetto grafico:
TassinariVetta
Realizzazione dell’allestimento:
Legn’arté s.n.c.
Fratelli Edison s.r.l.
Anno: 2025
Superficie: 40 mq
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fotografie di:
Alessandra Chemollo





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